Serial vision adalah
#SERIAL VISION ADALAH SERIAL#
These combinations of materiality, light and colour alter as the user walks from one end to another, shaping different experiences while transitioning through the wall-layering of the Serial Vision Home.Ī Matter of Perspective: Distribution in the Serial Vision Home Floors are set up in wood, and in certain areas such as bathrooms, they are built in stone.
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The walls are coated with natural mortar using an aerated lime base, changing colour depending on the light, and off-white paint in the brightest rooms. This combination of tones creates a natural and pleasant environment a sense of calmness reigns the space. A soothing colour palette takes over the walls, ceilings, and floors to make these purposes palpable. In the Serial Vision Home, materiality assumes a leading role to help meet these premises and cover two primordial functions: setting the house’s mood and making every space intuitively identifiable. Transitioning Through Layering: Materiality as a Tool to Create Intuitive SpacesĪs human beings, we are heavily influenced by the atmospheres surrounding us, effortlessly shaping our perceptions and changing our attitudes depending on the space we inhabit. In this sense, the body of walls of this Barcelona home becomes a metaphor for Cullen’s group of buildings. The house’s walls, which are understood as an integral structure, create a feeling of transition while passing them by, giving each room a distinct character and atmosphere. In the Serial Vision Home, a big, wide hallway serves as the leading spine of the space. We may walk through and past buildings, and as a corner is turned, an unsuspected building is suddenly revealed.” Several things begin to happen grouping, which would be impossible in an isolated building.
#SERIAL VISION ADALAH SERIES#
Yesterday, FilmRise acquired SVOD, AVOD and FAST streaming rights to Broadway Video’s Canadian sketch comedy series Kids In The Hall, while earlier in the week, it secured North American and Latin American rights to six animé shows from Fuji Creative Corporation, the distribution arm of Fuji Television Network.In the book The Concise Townscape, Gordon Cullen states that “one building standing alone in the countryside is experienced as a work of architecture, but bring half a dozen buildings together, and art other than architecture is made possible. The reasons given for murder by each killer is forensically dissected, with the series featuring first-person reports and interview footage from interrogation rooms as detectives themselves try to understand the actions of the serial killers they sit opposite. Other cases explored in the show Don Miller, who admitted to killing four women and revealed where he had buried them – but only if he got an earlier parole date and Anthony Shore, who disguised himself as a telegraph repair man to pick his victims from a unique vantage point.
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It follows some of the lesser-known serial killers of the later 20 th century and 21 st century like Ronald Dominique, who killed around 23 men in the early 2000s.” He described the series as “an under the lens examination of what makes a serial killer. Speaking to TBI at MIPTV this week, FilmRise SVP of acquisitions & co-productions, Max Einhorn, said that the series would launch “everywhere all at once” across its network, in early May. FilmRise took all rights for North America, German-speaking Europe, and Australia and New Zealand, when the series was first announced in October.
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The 10 x 60-minute series is produced by UK-based FirstLookTV and explores what makes someone kill multiple times. New York-based streamer and producer FilmRise will debut its new original true crime documentary series Making A Serial Killer across its AVOD service FilmRise Streaming Network next month.